STILL NOT ASKING FOR IT PRESENTS

What I Wore

For a long time, there has been a misconception that a survivor of sexual assault’s clothing is in someway the direct causation as to why they were sexually assaulted - often it is even used as a mitigating factor as to WHY the perpetrator was justified in their behaviour. 

This project is to flip that stereotype on its head. 

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Tropical Leaves

So what is it?

The What I Wore project is special because it will include people from all over the world. Anyone who wants to be included, can be (depending on some technical elements, which we can work together to achieve). The more we get the word out, the larger this project becomes, the more impactful it will be. It’s time to have this conversation and continue the work that Still Not Asking For It began.

I’m keen - what do I have to do?

The idea of What I Wore is to showcase the actual clothes survivors were wearing (or something representative) and the age they were when their assault occurred.

The final presentation of the photos will be each survivor standing next to each other in a long somber line. A fashion parade no one wants to attend. 

Your photo needs to be simple, yet evocative, uncomplicated, but emotive.

It needs to show you exactly how you were.

 

So what do you need to do?

  • Firstly, find an outfit that represents (or the actual outfit) you were wearing when you assaulted. Preferably as close to the original as you can.

  • Take a FULL length photo of yourself against a plain (preferably white) wall. More instructions further down and to come.

  • In order for this project to work there are some technical things you will need to get right.
    The lighting needs to be as consistent in ever photo as possible, so ideally you would take the photo against a while wall, opposite some full length windows, around midday. Or with two ring lights, or continual lighting on either side of you. With as little shadow as possible and consistent lighting up and down your whole body. 
    You will also need to make sure that your whole body is included and in focus.
    You want the photo to be as flat as possible so set the camera up at about chest height to get the most consistent photo. If the photo is taken at the wrong angle, I will get in touch and we can either scrap it or work out how to reshoot it. 
    I will shortly have an example photo for you to emulate but think of the original SNAFI photos (except full body) as a pretty good example of the position of the camera.

  • If there are small things around you but your outline is clear (or only one small thing is touching you) that is fine and easy to correct in post. The reason the photos needs to be against a plain background is so that you can be “cut out” of the photo and placed into a large document.

  • To take the photos, you will need a camera with a 35mm or 50mm lens, or something very close to it, that will be able to generate a hi-res image. This is so that we are able to print these photos and them look as consistent as possible. As the project progresses, there will be opportunities for people who do not have access to a camera. Keep an eye out

  • When you send through your photo. Please try and send more than one. Ideally 5 photos from the same shoot. This can help in case I need to piece together two photos or if something was more in focus in a different photo etc. I need to have choice, but I only need your best 5-10, not every singe photo.

  • When you send through the photo, the following information will need to be included with it, this will be displayed with the photos - the age you were assaulted, the age you are now, a description of what you are wearing and where the assault occurred (such as my bed, lounge room, on the street), and the country. Your name will not be included, however, your face will be visible. 
    If you would really like to be involved but must stay anonymous for legal reasons, shoot me through an email and we can discuss options.

  • How should you pose? This series will be similar to SNAFI in that each participant will have a quite stoicness about their face. Standing, strong, looking straight down the barrel of the camera with just your clothes and your props telling the story. What do I mean by props? Well if you were about to go to bed, maybe you have a cup of tea and a book, if you were out at a club, maybe you’re holding a drink and your coat, if you were a child, maybe you’re holding a stuffed toy but your hair is styled to look like a child. These photos are to bring a sense of realism to victims. A “this could’ve been you” vibe. Your outfit and props should be as closely matched to your original night as possible. But your face and body language should be that of a strong, proud, survivor, staring that perpetrator down through the lens.

  • These photos will be used to be exhibited online and in person, and may be printed all around the world. You will be asked to sign a standard model release, with the inclusion of singing over the copyright claim to the photo in perpetuity to me.
    That means, if someone took the photo for you, they will need to sign this. You will sign if the photo is taken on self-timer.
    THIS IS NON NEGOTIABLE
    So if you are using someone who is a photographer or creative to help with your photos, make sure they are aware they will need to sign aware their copyright before they help you out. 

  • I would also ask you to include a blurb about your story, this is not required although is preferable. It should not be an extensive but just a very brief overview of what occurred, with whom and where. I will include an example in the materials to come. 

  • Most importantly - there is no right or wrong outfit. If you were wearing you pyjamas, if you were wearing a bikini, if you have a snow suit on, if you were wearing a sparkly dress, if you were naked, if you had “sweats” with holes in them, if you can’t remember (but can create something representative of that), if you were in a hospital gown… the idea of this project is to show the full gamut of outfits that people are wearing when they are assaulted and how different it can be; and it is completely irrelevant because you were
    STILL NOT ASKING FOR IT

If this sounds like a project you’d like to be a part of. Please email me at whatiworeproject@gmail.com - this will put you on the mailing list so that once I have the documents ready to send out, you will be already on the list. 

I will create a formal document outlining everything that is said here ^^^, plus the model & copyright releases you will need to sign and return before I can use the photos. 

If you have any further questions, please include them in your email and I will endeavour to get back to you ASAP.

This project will hopefully have phase 1 completed by the end of the year. 

Thanks you so much for your time, interest and support. 

EMAIL: whatiworeproject@gmail.com

Bridge into the Woods